Looking to investigate timbre and texture, a sparse drum solo introduces this tune, leading to an open guitar and drum melody-interpretation. Bass joins at letter B; and so begins the only 4/4 tune of the recital (in the hope of serving as a release from the tension of so much metric mayhem). I have also included this tune because it is a favourite of mine, with what I feel is an extremely unique and beautiful melodic and harmonic framework.
Masterclass Lesson 10: Ballad Approaches – Naima [ML10]
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